Cambridge: Printed by J. Bentham, Printer to the University, 1744. Hardcovers. Full calf, gilt. Three parts in two volumes. xiv, 424 and 446 pages. Black & white engravings by Hogarth throughout. 21 x 13.6 cms. Both volumes have had their spines expertly repaired, but have some bumping to covers; bookplate to front paste-down endpapers; library blank stamp to front free endpapers; else very good copies. The first edition with the Hogarth plates.

Society for the Promotion of the Fine Arts in Scotland, 1861. Six steel engravings plus text. Original green cloth, gilt. Folio. Worn and head & heel of spine; else a very good, clean copy.

Madison, Wisconsin. October 1912: October 1912. [4] pages. Original printed wrappers. Inscribed on the verso of the front wrapper: 'For Ethel Talbot Scheffauer with greetings of fellowship William Ellery Leonard. This poem was written shortly after the death of Leonard's wife, Charlotte Freeman Leonard, known as Lottie, in 1910. The number of copies printed is likely to have been very small. The poem was first published commercially in Harriet Munroe's Poetry, in October 1913.

London: Grant Richards Ltd, 1923. Hardcover. No dust-wrapper. 111 pages. Original cloth-backed decorative paper-covered boards; paper label to spine. Octavo. First edition. Contemporary newspaper review from the Daily Telegraph tipped-in at from endpaper; else near fine.

Winchester: James Robins, No date [1820]. Hardcover. [8], 88 pages. Recent two-tone paper-covered boards with paper label to spine. Octavo. 16.2 x 10 cm. First edition. A very good copy. Scarce. COPAC lists B.L. copy only.

London: Elkin Mathews, 1897. Hardcover. No dust-wrapper. Octavo. First edition. One from a limited edition of 500 copies printed. Names on endpapers; foxing to endpapers; else very good.

Lans-en-Vercours.Locus-Solus. 1962. 294pp. Original printed soft covers. paper slightly browning; covers are covers in clear acetate, which has been sellotaped to itself (not the covers), and has left slight offsets on to the endpapers. A very good copy. From the library of the poet Paul Edwards.

London: The Richards Press Limited, 1941. Softcover. 30, [2 ad's] pages. Original printed wrappers. Octavo. First edition. Presentation copy inscribed on half-title: 'P.W.M. Wright, from the writer…1942.' Some light soiling to covers; else very good.

Oldham: Incline Press, 2002. 41, [1] pages. Original green cloth-backed cloth marbled paper covered boards, with paper labels to spine and upper boards. No. 5 of a limited edition of 230 copies. As well as an illustration by Catherine Heaney, the book is embellished with linocuts by Bert Eastman and title-page calligraphy by Diana Hardy Wilson. The book is printed in Garamond types on a variety of Zerkall Button papers, so done to embrace the individuality of voices within the anthology. Complete with loosely laid in prospectus. 22 poems and prose pieces by members of Seamus Heaney's family with Seamus Heaney contributing 11 items. Fine/as new.

Edinburgh: Oliver and Boyd, 1932. Four hardcover volumes. Dust-wrappers. First editions. Neat ownership name on front endpapers; else a near fine set in Unprice-clipped dust-wrappers.

London: Edward Moxon & Co, 1868. ix, [3], 180 pages. Twenty engravings by Richard Doyle. Original decorative brown cloth gilt. 167 x 132 mm. First edition. One signature sprung; else a very good copy.

London: Frederick Muller Ltd, 1946. viii, 120 pages. 14 full-page coloured lithographs. Original pictorial boards; pictorial unclipped dust-wrapper. Octavo. First edition. A very good copy.

London: Macmillan and Co., Ltd, 1896. xxvi, 397 pages. Frontispiece. Bound in half brown morocco over paperboards, with a finely decorated spine in gilt. All edges gilt. Octavo. Some light spotting to the blank recto of the frontispiece; paper panels of the binding somewhat marked, but a handsome copy. This edition was first published in 1895. £85. 00.

Paris: Alphonse Lemerre, No date. 322, [1] pages. Engaved portrait frontispiece. Bound in half blue morocco with gilt fleur de lis design to the spine, over marbled boards, by Otto Schulze and Co., Edinburgh. Top edge gilt. A fine copy in a handsome binding.

London: John Sharpe, 1821. Two volumes. Illustrated with engravings. Together with, PARADISE REGAINED, Samson Agonistes, Comus and Arcades. London. John Sharpe. 1823. Illustrated with engravings. The three volumes each bound in burgundy-coloured calf gilt panelled spine and gilt design to upper and lower panels. All edges gilt. 170 x 103 mm. Some of the engravings are lightly foxed; else a very handsome set.

Clun: The Redlake Press, 1991. Hardcover. No dust-wrapper as issued. Number 49 of a limited edition of 250 copies. A near fine copy.

London: Harvey and Darton, 1820. xvi, 288 pages. Engraved frontispiece. Bound in later half calf gilt over marbled boards; the spine elaborately gilded within the panels. Octavo. First edition. Errata slip present. Some foxing to frontispiece; some light wear to one corner of binding; ownership name and date (1820) on title; else a very good copy in a handsome binding.

London: Blackie and Son Limited, No date [circa 1910]. Original pictorial white cloth gilt. Top edge gilt. First trade edition, thus. Illustrated by Florence Harrison with 36 magnificent mounted colour plates (on heavy stock), and 34 full-page black & white illustrations, plus many black & white text illustrations, all executed in her pre-Raphaelite style to accompany Rossetti's classic verse. Some very light marking to boards; else an excellent copy.