Church Hanborough: Inky Parrot Press, 2002. Number 23 of 36 copies, which have all the black and white illustrations hand-coloured by Sylvia Stokeld under the artist’s supervision, from a total edition of 360 copies signed by John Norris Wood. The book is typeset in Garamond by Charles Hall in Cornwall and printed litho by Adrian Lack at The Senecio Press in Charlbury on Arches Rivoli paper. Bound by The Fine Bindery in Wellingborough, in quarter red morocco over pictorial paper-covered boards; original cloth and paper slipcase. A fine copy with the original prospectus loosely laid in.

Oldham: Incline Press, 2001. Ken Ferguson made the lino-cut, which is signed. Of an edition of one hundred and fifty this is copy number 16. Original cloth-backed patterned paper-covered boards after a design by Edward Bawden from the Curwen Press. Loosely laid in a letter to subscribers signed by Kathy Whalen, and a broadside on raillery by Benjamin Franklin published in 2001 by Incline Press. A fine – as new – copy. [15877]

Catchmays Court, Llandogo: The Old Stile Press, 1987. This is number 89 of an edition of 225 numbered copies, signed by the artist. A fine, as new, copy, in the original slipcase.

Hanborough: Hanborough Parrot, 1990. An edition of 120 copies. This copy unnumbered, but signed by both Donald and Maidment. Pictorial paper-covered boards. No jacket. A fine copy.

The Golden Cockerel Press, 1951. 312 pages. Frontispiece, title-page vignette, head and tailpiece illustrations, map endpapers. Number 148 from a limited edition of 320 copies. Original two-colour buckram gilt, with gilt medallion to the upper board. 288 x 205 mm. Fore-edges uncut. Slight rubbing to cloth, and slight browning at fore-edges; else a very good copy.

Oldham: Incline Press, 2005. 52 pages. Illustrated with a map, a coloured lithograph, and twenty-two mounted plates by. Blue quarter cloth silver gilt over marbled boards. 263 x 260 mm. One of sixty copies bound for subscribers from a total edition of hundred and seventy-five. Signed in pencil by Terry Wyke. A mint copy.

Oldham: Incline Press, 2003. Bert Eastman made the linocut, which is signed. Of an edition of one hundred and eighty this is copy number 40. Original cloth-backed decorative paper-covered boards. A fine – as new – copy.

[Rochdale:]: Bracket Press, 2008. ONE OF 60 COPIES printed for Incline Press subscribers, printed on Zerkall mould-made paper in Golden type with frontispiece of Burne-Jones’s illustration for ‘A Dream of John Ball...’, with decorative border and initials, [ii], 14 pages. Original quarter grey linen and boards printed in black to upper board, edges untrimmed. Octavo. A facsimile of Morris letter laid in as issued; together with a bookmark. A fine – as new – copy.

Oldham: Incline Press, 2010. In an edition of less than 200 copies of which this is number 20. Original cloth-backed paper-covered boards. A fine – as new – copy.

Harrow Weald: Raven Press, 1931. xi, [1], 63 pages. Illustrated with ten wood-engravings protected by tissue guards. Original quarter vellum gilt over cloth. 300 x 211 mm. Number 122 of a limited edition of 275 copies. Contained in the original slipcase. The book is fine, but the slipcase is worn and split and lacks parts of one edge.

Hanborough: Parrot Press, 1988. Number 122 of a limited edition of 125 copies. Illustrated through in black & white. Original paper-covered boards. 230 x 164 mm. A fine copy, though not signed. The Animal Alphabet was first published, in a somewhat different format, as an RCA Inkling book in 1983. A fine copy.

Hammersmith: The Eragny Press, 1903. 30, [2] pages. One of 226 copies. Wood-engraved frontispiece designed by Diana White and engraved by Esther Pissarro. The double border and initials letters were designed by Lucien Pissarro and engraved by him and Esther Pissarro. Original patterned and plain paper-covered boards with a small title label to the upper board. 165 x 110 mm. Some light browning to the free endpapers; else a fine copy.

Oldham: Incline Press, 2003. Number 37 of an edition of 160 copies, signed by the author. Original cloth-backed boards. A fine – as new – copy.

Oldham: Incline Press, 1996. 18 pages. 15 illustrations by Brigid Holdsworth printed in brown, green and black. No. 17 of 200 copies, signed by the artist. Printed in Modern No.20, Bodoni and Thorogood Italic on Velin Arches. Original orange printed wrappers with an image by Brigid Holdsworth printed in red on upper cover. Octavo. A fine – as new – copy.

Marlborough: The Libanus Press, 2003. Number 43 of 50 special copies of the book with a set of prints in a solander box. ISBN 0 948021 55 1 Special. As new.

Marlborough: The Libanus Press, 2003. Number 57 of 80 copies bound in cloth numbered 51 to 130. ISBN 0 948021 50 0 Standard. As new.

Olham: Incline Press, 2003. The illustrations in Dr Archer’s essay are printed from magnesium blocks made by the Block Shop, Manchester. The engravings in the Notebook are printed from the wood, except as noted previously. Original burgundy cloth gilt over flexible boards. A fine copy – a s new.

Oldham: Incline Press, 2001. This book was conceived and cut in lino by John Liddell. Two hundred copies were printed of which this number 25, signed by John Liddell, Graham Moss, and Kathy Whalen. Cloth-backed pictorial paper-covered boards; cloth slipcase. Original prospectus loosely laid in. A fine – as new – copy.

Incline Press, 1999. Number 9 of 25 ‘special’ copies issued in a slipcase with a separate folder containing an original coloured woodcut, signed by Jo Spaul and numbered 9 of 30; together with a coloured linocut by Spaul illustrating a poem by Ralph Hodgson. A fine/as new copy.