London.Methuen & Co. Ltd. 1932. [i-vi],vii-xiv,[1]208pp, plus 8pp adverts to rear. Colour frontispiece and pictorial dust wrapper by Jessie King. Blue boards gilt. Octavo. First Edition. Slight spotting to endpapers. Small smudge marks to top of pp 58-9. Dust wrapper slightly chipped at corners, with some small paper loss to head and heel of spine, and to rear of wrapper; else, a very good bright copy.

Oldham: Incline Press, No date [2005]. 53, [1 colophon], pages. Illustrated with mounted plates in colour and monochrome, with an original pencil sketch mounted at the close. This is copy number 39 from an edition of two hundred. Original cloth-backed paper-covered boards; slipcase. A fine – as new – copy.

Golden Cockerel Press, 1937. Number 152 of a limited edition of 250 copies. 51 pages. Original binding of quarter morocco over cloth. 310 x 194 mm. Internally clean and fresh. However, the binding is a little dust-soiled, and worn at the corners.

London.Samuel French, Ltd. 1930. 88, (4)pp. 4 full-page photographic plates of stage sets. Original wrappers. Some underlining and in red and annotation in pencil, as this copy has been used for a production in 1932. Loosely inserted is an original 4 page printed programme for the performance by Dover Operatic and Dramatic Society, November 1932. Ownership inscription on upper cover by a member of the cast. Little worn at extremities, else a very good copy.

London: Reeves & Turner, 1888. viii, 143 pages. Original cloth gilt. 170 x 135 mm. First edition. Bookplate; cloth a little worn and heel of spine and boards lightly rubbed; else a very good copy.

London: J. and R. Tonson, 1763. 24 pages. Octavo. Bound in later wrappers with a printed label to the upper panel. Title and last leaf stained; tiny corner chipped from title; some light spotting; else very good. An abridgment of Garrick's alteration of Midsummer Night's Dream, variously ascribed to Garrick and George Colman.

Sydney: Wentworth Books, 1969. 1971. Two volumes. xii, 212 and xi, 316 pages. Both illustrated. Hardcover with unclipped, original pictorial dust-wrappers. Volume one has hand-written note affixed to front loose endpaper; some light spotting to front loose endpaper; dust-wrappers have sun-lightened spines and slight wear to extremeties; else very good copies.

London: T. Becket, 1774. [8], 76 pages. Engraved frontispiece. Original sheep, recently re-backed; no title. Octavo. First edition. A late play by Garrick based upon Charles Favart's, La fée urgèle. Boards worn at corners; else very good.

London: David Bogue. 62, [2 ad’s], [16] illustrated ad’s dated April 1848.] pages. Illustrated throughout. Original colour-printed pictorial wrappers. 143 x 112 mm. First edition. Wrappers a little dust-soiled; else a very good copy. Very scarce in the original wrappers.

Paris: Theophilus Barrois, 1883. xx, 205, [1 blank] pages. Contemporary calf, recently expertly re-backed. 14.5 x 8.3 cm. Half-title and leaf of ad's present. Final blank corner is a little soiled and with an old crease-mark; inscription on front endpaper; else a very good copy in an attractive binding.

London: Macdonald, 1966. Hardcover. Dust-wrapper. First edition. Ownership label on front fixed endpaper; wrapper, not price-clipped, but has minor loss at head of spine and corners; else a very good copy.

Kensington: The Aquila Press, 1929. Hardcover. No dust-wrapper. [4], 24, [2 blanks], v, [1 blank], colophon pages. Illustrated. Original full morocco binding to a design by Paul Nash. Binding: 27.4 x 17.6 cm. No 3 of a limited edition of 750 copies on hand-made paper. Slight evidence of a bookplate being removed from first free endpaper; binding a little rubbed and marked; else a very good copy.

London: Jonathan Cape, 1965. First edition. Original pictorial glazed boards. Small, neat name on endpaper; else fine.

London: Faber & Faber Limited, 1933. Hardcover. No dust-wrapper. First edition. Original green cloth gilt. Small book label on endpaper and an inscription; few very small marks on cover; else a very good, fresh copy.

London.William Heinemann Ltd. 1949. No 92 of a limited edition of 1000 copies signed by the author. Original quarter vellum over blue buckram. Top edge gilt, others untrimmed. Original Card slipcase with the number '92' written in biro on the base. Octavo. Slipcase rather marked and worn; the book itself, apart from some very light spotting to the vellum, is almost fine.

Leipzig: Bernhard Tauchnitz, 1876. 255 pages. Bound with; OLIPHANT, Mrs. THE CURATE IN CHARGE. Copyright edition. Vol. 1561. Leipzig. Bernhard Tauchnitz. 1876. 311 pages. The two bound as one in blue pebbled cloth gilt; both titles on the spine. Paper of the second title a little browned; else a good pair, with both half-title present.

Londres: Se trouve chez Debrett, Piccadilly; Hookham, Bond Street; Edwards, Pall Mall; & chez De Boeffe, Gerrard Street, 1794. Two volumes bound as one. [4], xxiv, 186; [4], 259 pages. Contemporary full calf gilt. 12mo. First edition. Spine expertly repaired, and with a new title label; some spotting on the fore-edges, which has penetrated a few millimetres into some of the pages; lack half-titles; else a very good copy. The front pastedown bears the bookplate 'Panshanger' which was the country estate of the Earls of Cowper; the library was dispersed in 1953.

Leipzig: Bernhard Tauchnitz, 1856. 377 pages. Half-title present. Bound in quarter green morocco over marbled boards. Half-title, title, and last leaf lightly browned, and the occasional patch; else a very good copy.

London: Hurst, Chance, & Co. St. Paul’s Church-yard, 1831. xv, [1 blank], 408 pages. Contemporary calf, sometime re-backed. All edges gilt. Octavo. Bookplate; inners joints cracked but firm; else very good

London: Saunders and Otley, 1838. Contemporary half calf over marbled boards with twin labels. First edition. Bound without half-titles; Title-page to volume one a little browned and marked; some occasional light marking throughout; else a very good set.